Cigar Review: L’Atelier Imports Surrogates Skull Breaker
5 Feb 2014
The Surrogates line is an effort by brand owner Pete Johnson to release “consumer price conscious†cigars with premium quality.
To increase the appeal, each of the five Surrogates vitolas, rolled at Don Pepin Garcia’s My Father Cigars factory in Nicaragua, has a different blend and flavor profile. The idea is to create cigars with something of a limited edition feel in a regular production run.
For the Skull Breaker, a belicoso (5.25 x 52), that means a splotchy Connecticut Broadleaf wrapper with few veins and Nicaraguan binder and filler tobaccos. It’s listed at $8 per stick.
I’ve smoked five and generally enjoyed each one. I did encounter some inconsistency between sticks. A few, for example, were rolled a bit tight. And while smoke production was generally good, it was notably thin in one Skull Breaker. Across all samples the burn was excellent, and the ash held on tightly.
Pre-light, the wrapper had a nice, spicy, barnyard aroma while the filler gave off a sweet and chocolatey air. Smoking through it, I was surprised at the relatively mild level of pepper considering where it was rolled and the Nicaraguan filler.
But it did have the strength and body typical of many Nicaraguans, as well as flavors of leather and espresso.
The Skull Breaker isn’t particularly complex, though it did develop a bit, and I generally liked the second half more than the first.
I’d like to try others in the Surrogates line. It’s an interesting concept. Patrick A reviewed the original Skull Breaker when it was introduced at New Havana Cigars and gave it three and a half stogies. A year and a half later, I’d agree.

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photo credit: Stogie Guys

Not bad for a company that, while tracing its cigar roots to 1928 Cuba, only got started in 2012 and entered the U.S. market a year later at the IPCPR Trade Show.
Not to mention that it didn’t go very well for the pair of Europeans who first ventured inland and saw the natives smoking. Rodrigo de Jerez introduced tobacco to Europe, only to find himself jailed for seven years by the Spanish Inquisition because “only the devil could give a man the power to exhale smoke from his mouth.” His partner Luis de Torres stayed behind when the Santa Maria sank to found a settlement known as La Navidad, which was wiped off the earth by the time Columbus returned later in 1493.
So, even though I had only very limited at the 2013 IPCPR Trade Show, I made sure to stop by the Boutique Blends booth. There, I found the company’s president, Rafael Nodal, and spoke to him about his newest creation, the Swag S Maduro.
But neither firm is coasting. The landscape these days is littered with former giants that once dominated their fields and appeared to have no sales concerns. Just check out Sears or Kodak or Blockbuster. So, like their behemoth brethren in the beer-brewing industry who are fighting small craft bottlers, General and Altadis are determined to keep the boutique brands just that. Of course, there are about as many ways for big companies to react to creative competition as there are consultants ready to advise them. One of the most popular paths: create an entrepreneurial, “start up†mentality among existing divisions. That seems to be the route General’s taken with La Gloria Cubana since Ernesto Perez-Carrillo left in 2009.
Currently, the House of Emilio portfolio includes 1502, Bodega, Epicurean, Ezra Zion, Guayacan, Herederos, Nomad, and Rodrigo. “These are up and coming cigar companies that have superior product and great interaction with retailers and cigar aficionados alike,†reads the House of Emilio website.
With so many excellent smokes on the market for about $10 or less, a cigar truly has to shine to prove itself worthy of double that cost threshold. The God of Fire Don Carlos 2009 Robusto does just that. Despite commanding a price of $20 apiece, it is a flavorful, balanced, and satisfying experience that performs time and again—rendering it an excellent choice if you want a special cigar and are willing to pay up.
Patrick Ashby
Co-Founder & Editor in Chief
Patrick Semmens
Co-Founder & Publisher
George Edmonson
Tampa Bureau Chief